The aspect of my work that touches my heart most deeply is being part of what I call a
culture of honoring. We are brought on board when a client wants to deeply thank and honor its donors for their generous support. But for many years now, our studio has innovated Donor Walls that go beyond a mere “accountant’s list” of the names of big, medium and smaller donors.
We understand that the entire community that contributes to an institution’s success needs to be honored. That why we weave into our artwork the institution’s identity -- you might say we "crystalize " the heart, mind and spirit of the organization -- along with the donors’ names.
The result is an Art Glass Mural that has something to interest every visitor who passes. At the University of Utah Hospital, for example, the Donor Wall (above) consists of beautifully etched and gold-leaf-filled leaves of their local aspen trees along with a gratitude statement, inspirational quotes and
over 1200 donors’ names. Says Mary Lou McCaa, of the Hospital Foundation, “It’s wonderful when you go in the hospital and see people standing there staring at your Donor Wall. Just taking it all in.”
Detail from the Donor Wall at the University of Utah Hospital
We foster a culture of honoring within our own Studio by thanking and recognizing our team members. One way I do this is by adding the names of significant longtime individual contributors to our Amri Studio Wall of Honor, which is mounted in our graphic design room. The wall consists of 32 glass plaques. Deep, V-carved, copper- and gold-leaf-filled text highlights names, awards the Studio has won and inspiring quotations. As you can see, our Wall of Honor is designed so that it can easily be expanded with new names.
We pride ourselves on being a "turnkey" Studio that provides our clients with every service from initial consulting to design and fabrication through lighting, cabinetry and complete installation. Today I want to honor everyone whose work goes into getting our huge glass and crystal walls installed at the client’s site. These are the people who drive or fly with me all over the country to ensure that our Art Glass is carefully hung and lit. They are a multi-talented crew and they rarely get much public acknowledgment. I hope you’ll enjoy reading about them even a tenth as much as I enjoy working with them!
Before an installation even begins, we turn to our longtime cabinetmaker, Terry Holleman. Terry is a hugely talented individual who designs, engineers and makes all the custom hardwood and Corion/metal lami LED mounting brackets, cabinetry and wall surrounds for the crystal plaques and murals we create. He is the owner and lead designer for Holleman and Company Cabinetry in Sonoma, CA. He is also a gifted fine-art painter. You can see his work at his
website.
As permanent as our Art Glass panels look once they are installed, they can actually be mounted in hidden swiveling steel brackets for ease of access when it’s time to add new donor names onto a second easily updated crystal or clear acrylic layer. I want to give special honoring to the man who has designed, prototyped and machined all of our specialty metal components over the years. Fred Oberti was a brilliant, funny and talented machinist and a true gentleman. He passed away this year and I sorely miss him. Even during his last illness Fred insisted on finishing a final important project with us. THANK YOU, FRED!
Fred’s swiveling brackets have to embrace an extra challenge because we use programmed LEDs to illuminate our Art Glass Walls. The hinges and other hardware that attach to the crystal panels must allow room for the LED wiring to run through them without impeding their function.
This brings me to our lighting wizard and electronic engineer, Tim Feldman, who has worked with us for decades. Tim creates custom-made strips of colored LED edgelights, which he can program to shift on a timed cycle or in response to the approach of a viewer. His work adds a whole new dimension to our carved and etched glass walls. Tim is the owner of Electric Algorithms in Davis, CA. He has created software and hardware for firms such as IDEO, eInstruction Corporation, D&P and Hewlett-Packard.
With the brackets milled, the hardware machined, and the lighting programmed, the final pieces are in place for an installation. Our on-site install team is led by Charly Rinn, a talented and successful millwork designer and fabricator in his own right, who has been my lead installer for over 16 years. Charly has worked with me on just about every major installation I’ve done.
He is the owner and founder of Exceptional Wood Products in Geyserville, CA. His firm does high-level, award-winning, contemporary and historic architectural woodwork, including stairs, molding, columns, wainscoting, cornices, door surrounds and cabinetry. Charly also designs and builds our custom shipping crates for the thousands of square feet of crystal panels we ship nationwide.
Joe and Charly at the installation for Community Hospital of Monterey Peninsula.Below, Joe and Christina Amri.
Charly has two assistants who work with him. Joe Delgado is a carpenter
par excellence. In a past life Joe was a gourmet chef, so when we’re on the road, I put him in charge of finding places for us all to eat. (He’s a genius at decoding the menus in sushi restaurants.)
Installing the wood brackets on a Donor Wall at Marriott Library at the University of Utah
Another wonderful member of our install team is Jason Montgomery, a furniture maker based in Portland, OR. Jason is also a gifted musician who plays guitar and stand-up bass professionally. I am in awe of the multitalented folks I work with!
Charly and Tim in Monterey
We’ve made a recent addition to some of our install trips -- our talented new process photographer,
Gabriel Harber of Oakland, CA, who gets some amazing shots of everything that goes on during an installation -- and of the folks who do it. He has a real gift for capturing the telling moment. Most of the photos in this post are Gabriel’s work.
These are the folks who make it possible for our carefully designed and carved crystal panels to be mounted in hospitals, universities, and businesses across the country. Their jobs aren’t always easy (like the day -- pictured above -- when temperatures of 17 below caused a water main to burst in the lobby of a hospital where they were installing a huge crystal mural), but they invariably handle everything that comes up with professionalism, grace and good-natured humor.
Donor Wall at the University of VirginiaLastly, I want to honor Bob Davidson, who took on one of our first, largest and most complex installations: the University of Virginia School of Medicine. A talented artist, art professor, architect and contractor, Bob guided, engineered, ran and collaboratively supported all the initial growth at our Studio. He built our sandblasting booths, the racks that hold our huge panels of glass, our glass-moving trolley, and even our second-story mezzanine. Without Bob’s loving and generous support, his amazing creativity and his problem solving skills, our Studio would not be here today!
I thank you ALL for your talent and your heart. This loyal "band of brothers" has taught me everything I know about installation, enabling me to speak authoritatively to our clients. They have supported and admired the workmanship and art of our endeavor. And they have adventured with me through late-night airports big and small since we first expanded to creating truly large-scale Donor Walls 18 years ago. You are the best!
Yesterday we finished a delicate, demanding, and very rewarding project: Relocating an extensive 20-foot-long, 8-foot-high crystal Donor Wall, which we created in 2002-2003, to the second story of the elegant and airy new lobby of the University of Utah Hospital’s vastly expanded patient care pavilion. 
In addition, we installed a “sister” Donor Wall (above) to honor the generous people who helped fund the new lobby. In creating this new wall, we used the same materials –- carved crystal and gold-leafing -– the same theme and the same design vocabulary so that the two walls would have artistic unity. 
The theme we carried over into the new Donor Wall is the aspen tree, which, besides being beloved in the Salt Lake City area, is symbolic of deep cooperation. A quotation on the original wall expresses it perfectly:
In fact, the original Donor Wall included the names of some 2,800 donors! Every single person who made a donation, from local philanthropists to the hospital janitor, was listed.
From left, Charly, Joe and Jason insert panels into custom brackets
We also did a moving job (no pun intended) on a Tribute we created in 2003 for George and Dolores Dore Eccles. The Tribute uses formal, contemporary photos of the donors etched into a carved crystal panel that floats over a second crystal panel, which shows a warm and inviting image of the couple dancing together when young. 
Note: The University of Utah Hospital’s new lobby is featured in a fascinating article in Medical Construction & Design magazine about the important role lobbies play in providing visitors with a warm and reassuring welcome. This is even more vital at the University of Utah Hospital, where some 10,000 people enter the lobby every day!
